15. The Last Broadcast (1998)
Stefan Avalos and Lance Weiler show us that a small production budget is no excuse for making a bad movie, as they pulled offThe Last Broadcaston less than $1,000!
You know what they say: a good workman never blames his tools. In the case ofThe Last Broadcast, the crew’s tools were comprised of little more than $12 tape and Adobe Premiere!
This meant it could only stream via satellite to select theaters, butThe Last Broadcaststill reached a wide enough audience to influence the production ofThe Blair Witch Project, the most famous found footage movie of all (which we’ll get to later).
The “last broadcast” in question is an episode ofFact or Fiction, where two hosts investigate the paranormal. This particular episode follows a psychic seeking out a mythical creature in the New Jersey Pine Barrens… before everybody mysteriously dies.
The Last Broadcastis a multi-stranded narrative that layers two pseudo-documentaries on top of each other with chilling intelligence.
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14. Trollhunter (2010)
Trollhunterdoesn’t take the mockumentary genre too seriously. Instead, Norwegian filmmaker André Øvredal has fun with found footage of students trying to expose an illegal poacher named Hans (played by comedian Otto Jespersen).
Turns out, Hans isn’t hunting bears but—you guessed it—trolls. Trolls that can smell the blood of Christian men and give off a slimy “troll stench” that the film crew disguise themselves with. A lot like the Walker Guts Trick fromThe Walking Dead.
Trollhunteris obviously meant to be enjoyed with a pinch of salt, but besides the obnoxious yellow font and goofy energy, the movie also features some truly beautiful shots of Western Norway’s countryside and interesting references to Norwegian folklore.
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13. The Visit (2015)
M. Night Shyamalan has a healthy canon of successful horror-thrillers, butThe Visitmarked a change of pace for the filmmaker.
It’s still a horror, but it’s also a comedy. It’s an odd blend, with the first cut resembling an arthouse film, the second a flat-out comedy, and the final one this black-comedy-horror-thriller-found-footage… thing.
InThe Visit, two young siblings visit their estranged grandparents at their isolated farmhouse. From this alone,The Visitalready smells of Hansel and Gretel. I mean, any isolated farmhouse is a no-go.
Becca (played by Olivia DeJonge) and Tyler (played by Ed Oxenbould) decide to film the whole visit, seeing it as a new adventure. But when they show the videos to their mother, she reveals that they aren’t her parents at all. So, who are they?
12. Host (2020)
Computer screen movies are an even smaller niche within the found footage genre, mostly made up of mediocre films like 2014’sOpen Windowsand 2018’sUnfriended: Dark Web.
After all, there’s only so much you can do with a single desktop screen, so these films are usually all the same: a creepy atmosphere and a mystery story where you aren’t sure who you’re talking to.
Directed by Rob Savage, the British supernatural horrorHostunfolds over a group call between friends when they accidentally become involved in an evil online séance.
Hostis one of the more successful webcam movies, taking place entirely through screen recordings of Zoom video calls. It started out as a skit that went viral on social media, which Rob Savage then turned into this feature-length film.
Most of the cast from the original skit returned for the movie, using their own cameras and lighting to film from their homes.
Related:The Best Modern Horror Movies That Came Out After 2000
11. Searching (2018)
Searchingisn’t exactly a found footage film, but the whole thing is captured using phone screens and computer screens, so it evokes the same kind of feeling. Plus, it’s one of the rare Hollywood films to cast an Asian-American lead, so we’re including it!
Aneesh Chaganty’sSearchingstars John Cho as David, who’s trying to find his missing 16-year-old daughter. All of his searching is shown via his phone and computer as he uses streaming sites, phone records, and CCTV footage to track down his daughter.
Despite the 2D cinematography ofSearching, the cast were hailed for their extraordinary performances. The whole film was seamlessly edited together and earned double its predicted box office figures.
Creating a heart-racing, bare-knuckle thriller is hard enough through ordinary means, and that makesSearchinga real triumph. Originally a short film,Searchingpaved the way for films likeHostto be made despite pandemic restrictions.
10. Paranormal Activity (2007)
Paranormal Activityhas not one but six sequels, making it the biggest found footage franchise on this list.
As usual with these kinds of franchises, the first film is undoubtedly the best.Paranormal Activitywas directed, and written, and produced, and filmed, and edited by Oren Peli. Talk about a jack of all trades!
Set in San Diego, 2006,Paranormal Activityfollows Katie Featherston in her desperate attempt to catch a ghost on camera. She’s been tormented by this spirit since childhood, so she uses Ouija boards and night-cams to lure it out and face off with it once and for all.
Originally an indie flick,Paranormal Activitywas acquired by Paramount Pictures and given a hot new finale. It ended up being the most profitable film of all time—ofanyfilm, not just horror. No surprise as to why the franchise has been milked so heavily with sequels.
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9. Incantation (2022)
Incantationwas only released a year ago as of this writing, but it’s already the highest-grossing Taiwanese horror film of all time. It was directed by Kevin Ko and is still available to stream on Netflix.
Incantation(or咒) marries old folk tales with the supernatural, where Li Ronan (played by Hsuan-Yen Tsai) pays the price for spying on a dodgy Yunnan religious ritual involving human sacrifice and possession.
What exactly happened in the tunnels of the remote clan village is unclear, as Ronan’s footage—secretly documented for her online video channel—won’t play back due to damage.
Whatever it was, it lands Ronan in a psychiatric ward, begging the viewers to chant an incantation that will lift a curse off her daughter. Ko cleverly pushes us to repeat and engage with these chants throughout the movie, which is played back to us nonchronologically.
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8. Cannibal Holocaust (1980)
The found footage genre spreads far and wide across the globe, meaning many of them are international and co-production films.
Italy is the home of the infamously gruesome horror flickCannibal Holocaust, which added yet another entry to the string of cannibal-themed movies to come out of Italian exploitation cinema.
Renowned star of pornography’s “golden age” Robert Kerman headlinesCannibal Holocaustas Harold, an American anthropologist leading a team in the Amazonian forest to rescue a crew of lost filmmakers who are recording a documentary about cannibal tribes.
The mondo film subgenre gained momentum during the 1970s, sparking controversy throughout the world for its fetish with the taboo. Ruggero Deodato’sCannibal Holocaustis the most significant film about cannibals, with the director even arrested on obscenity charges.
ForCannibal Holocaust, Deodato was inspired by Italian media coverage of Red Brigades terrorism, using his film to criticize sensationalist modern TV broadcasters.
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7. Lola (2022)
If you enjoyed the grainy square visuals of films likeThe LighthouseorBait, be sure to check outLola. Andrew Legge’s directorial debut is shot with a gorgeous vintage flair, tapping into the aesthetic of 1940s England and nostalgic home videos.
Emma Appleton and Stefanie Martini star as two inventive sisters who build a machine that can intercept messages from the future. It’s likeMinority ReportmeetsTime Lapse, but significantly avant-garde.
At first, Thom and Mars use the machine for fun, discovering punk and glam rock before David Bowie was even born. But then WW2 erupts and, like with many things of the era, it gets turned into a weapon of war.
16mm Bolex film and newsreels recorded on an authentic 1930s wind-up camera makeLolaone for artists. The found footage aspect meant production was possible during lockdown, making it a wonderful addition to the canon of improbable COVID-19 movies.
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6. REC (2007)
RECisn’t just one movie; it’s the start of a series of four found footage films captured on video camera. Jaume Balagueró and Paco Plaza are the brains behind this Spanish zombie horror series, the first of which takes place in Barcelona.
Ángela Vidal (played by Manuela Velasco) is a reporter filming overnight for the fictional TV showWhile You’re Sleeping. She and her cameraman are following a pair of firefighters on their way to rescue an old woman, who turns out to be a homicidal zombie.
The virus grants superhuman strength to the infected, and it continues to plunge society into crisis across three sequels.
The originalRECis considered one of the best and scariest found footage movies ever made. An American remake was shot in 2008, directed by John Erick Dowdle, but it failed to live up to the original despite receiving some praise and a sequel.
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5. Man Bites Dog (1992)
Monsters and serial killers saturate the narrow corner of found footage cinema, andMan Bites Dogis no exception! The Belgian black comedy has not one but three co-starring directors: Rémy Belvaux, André Bonzel, and Benoît Poelvoorde.
Poelvoorde leads as the subject of a sadistic film crew’s documentary, who follow an openly homicidal man around through his day-to-day life.
Ben might seem like a charming people-person with a bit of a hot head, but he’s actually a raging serial killer who boasts about his body count and gives the audience tips for burying a body like he’s helping you to fix your car that won’t start.
Man Bites Dogis nightmarish, graphic, and witty, playing out like a feature-length joke that most people will either find funny or offensive. One thing’s for sure, though: critics loved it. So did Quentin Tarantino, who used it as inspiration for his script toNatural Born Killers!
Related:The Best Serial Killer Movies of All Time
4. District 9 (2009)
Neill Blomkamp’s feature debutDistrict 9partially adopts the found footage format to tell its sociological story about aliens landing on Earth and being forced to live in slums.
The sci-fi action film uses aliens as a metaphor to explore themes of xenophobia and segregation. News footage and fictional interviews depict the “District 9” alien camp with poignant realism, which takes place in an alternate 1982.
If you know about Cape Town’s District 6 during the apartheid era, you can guess what Blomkamp is trying to get at here. It’s similar to the squalid conditions of District 12 inThe Hunger Games.
A co-production between New Zealand, the United States, and South Africa,District 9won numerous awards on top of four Academy Award nominations. Its inventive style, editing, themes, and performances madeDistrict 9a resounding box office success.
Related:The Best Body Horror Movies of All Time
3. End of Watch (2012)
End of Watchis a buddy-cop thriller that will punch you in the gut. Unlike most action-packed, drug-fueled police dramas out there, director David Ayer instead focused more on the friendship between police partners and the rhythm of their day-to-day lives.
It’s not all car chases and undercover missions inEnd of Watch; some days are nothing more than just kicking stones, going through routines, and bantering the time away. But then there are the other days, which are hotbeds for PTSD flashbacks.
Jake Gyllenhaal and Michael Peña star as LAPD partners who absolutely dazzle with chemistry. Their raw performances that trumped the usual clichés of the genre were commended by critics.
End of Watchwas mainly filmed through camcorders, home videos, and dash cams, making us feel as if we’re the third passenger in a real police car, witnessing the everyday life of the LAPD.
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2. Cloverfield (2008)
One of the best ways to make a movie creature scary is tonotshow it. We learned this inJaws, where the iconic musical score is more unsettling than actually seeing the shark.
While we do see the monster in Matt Reeves’sCloverfield, we only catch glimpses of it in the background of video scraps.
The realism ofCloverfield—praised for its eerie use of cinéma vérité (a fancy French term for observational cinema)—is what makes it so famously creepy. It’s achieved by mimicking the footage of a personal camcorder that’s recovered by the US Department of Defense.
Cloverfieldis supposedly shot by a group of friends who are partying in New York when a giant monster attacks the city.
Inspired by Godzilla, the creature inCloverfieldis untameable as it severs the head off the Statue of Liberty—a potent image that calls to mind the half-buried landmark inPlanet of the Apes.
Michael Stahl-David, Mike Vogel, Odette Annable, Lizzy Caplan, Jessica Lucas, and TJ Miller star as the witnesses of a burning New York City, which morphed itself into a successful franchise.
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1. The Blair Witch Project (1999)
The Blair Witch Projectis the most famous found footage movie among Western audiences. This is an impressive feat considering the fact that it was a low-budget indie film!
The Blair Witch Projectpremiered at Sundance toward the end of the 1990s, cleverly promoting its cast list as “missing.” The sleeper hit became one of the most profitable horror films ever made.
Heather Donahue, Michael C. Williams, and Joshua Leonard play the only characters in this film, for which auditions were advertised as roles for a “completely improvised feature film in a wooded location.”
The cult classic follows three lost film students who are recording a documentary about the legendary Blair Witch in Maryland.
Daniel Myrick and Eduardo Sánchez made the demonic horror film because they found paranormal documentaries much scarier than actual horror movies, so they decided to blend the two together and earn several million bucks in the process.
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