12. Chloé Zhao
Chloé Zhaomade her mark by representing the forgotten parts of America. InSongs My Brothers Taught Me, she gives an endearing look at Native American life. InThe Rider, a heartbreaking look at poverty.
She’s an indie film specialist, oftentimes bringing in first-time actors and giving them liberty to define their down-to-Earth characters. This is most prominent in her Oscar-winning effortNomadland(2020).
Nomadlandfollows a woman named Fern (played by Frances McDormand) who, after losing her husband, buys a van to travel cross country in search of work. In it, Zhao never shies away from showing the harsh realities of life, particularly for nomads.
At the same time, she never forgets the heart and the hope that can grow, and always brings integrity and optimism to representation in cinema.
11. Céline Sciamma
Céline Sciammais another director who champions representation in cinema. Her entire filmography—includingTomboy,Girlhood, andWater Lilies—is filled with female empowerment and queer contexts.
And she never fails to show a poignant side to harsh realities, as she did inMy Life as a CourgetteandPetite Maman. But her most famous work,Portrait of a Lady on Fire, remains her best to this day.
Portrait of a Lady on Fire(2019) set the cinema world on fire when it came out, bringing us an intense romantic drama about an affair between the affluent Héloïse and her painter Marianne.
Throughout the film, their adulation for each other grows as they both see a renewed frame of beauty. It’s Sciamma’s magnificent thesis on the female gaze, making it a must-watch for modern cinephiles.
10. Greta Gerwig
Greta Gerwigis one of the freshest directors on our list. Despite her relatively short filmography—consisting ofNights and Weekends,Lady Bird, andLittle Women—she’s already one of the greats.
From indie roots, Gerwig evolved her style of storytelling into one that brings poignant levity and unforgettable impact, making her a filmmaking force to be excited over.
Lady Bird(2017) solidly demonstrated Gerwig’s narrative skills with a coming-of-age story unlike any other. Loosely based on her own upbringing,Lady Birdfinds high school senior Christine (played by Saoirse Ronan) dealing with the pains of life and daughterhood before she heads off to college.
WithLady Bird, Gerwig shows that honest and subtle moments can lead to eye-opening reflections, and that’s what makesLady Birdfly.
Related:The Most Iconic Actors and Directors Who Always Work Together
9. Alice Guy-Blaché
Female directors have been around since the early years of cinema. If you’ve never heard of them, that’s only because they were often overlooked in favor of the men.
Alice Guy-Blachéis one such female director, who’s often cited as the first woman to ever direct a film. She made a great first impression with the silent short filmLa Fée aux Choux.
After the success of her silent films, she established her own studio and eventually directedA Fool and His Money(1912). This film had the distinction of being one of the first films to feature an all-Black cast.
That seminal film was later preserved by the American Film Institute, and with this achievement, Alice Guy-Blaché made her mark on history and paved a road for other female filmmakers to walk.
Related:The Silent Movie Era of Cinema, Explained
8. Ida Lupino
Ida Lupinostarted during the era of the 1950s Hollywood studio system, but separate from it as an independent film producer. This gave her the liberty to hone her craft and blaze trails for feminist projects.
Through her filmsNot Wanted,Outrage, andThe Bigamist, the indie film scene opened up for other female directors to take stabs.
Ida Lupino’s best film remainsThe Hitch-Hiker(1953), a film for which nobody had much in the way of expectations. In this noir thriller, two men are held hostage by a hitchhiker while on their way to Mexico.
The Hitch-Hikerwas the first film noir directed by a woman, and Lupino seamlessly captured the basics of noir films and elevated the genre with layers of darkness. It’s an overlooked gem worth checking out.
7. Nora Ephron
Nora Ephron’s claim to fame is her work in the romantic comedy genre, which she helped shape with their quintessential movies.
Infused with searing honesty, warm moments, and delightful cast chemistry, Ephron’s scripts forSilkwoodandWhen Harry Met Sallycemented her as a genuinely inspiring screenwriter.
Her best effort remainsSleepless in Seattle(1993), her first collaboration with Tom Hanks and Meg Ryan. The film follows two soulmates—a widowed father and a Baltimore resident—who plan to meet in New York one night.
Despite its contrived story, Ephron succeeded by bringing together charm and sweetness between her two A-list leads.Sleepless in Seattleis a defining rom-com for the ages, one that highlights Ephron’s best traits as a director while painting a wonderful wish-fulfilling love story.
6. Ava DuVernay
Back in 2015, numerous outlets noted directorAva DuVernayas one of the biggest names to be neglected by the Academy Awards. That notoriety ended up opening all kinds of career opportunities to her.
Since then, DuVernay’s projected have included a $100 million Disney fantasy (A Wrinkle in Time), an acclaimed Netflix limited series (When They See Us), and a handful of other Black-led series.
But DuVernay’s filmmaking style and principles are best displayed inSelma(2014), the historical account of Martin Luther King, Jr. (played by David Oyelowo) during the Selma marches of 1965.
Her depictions are straightforward, but the raw emotion coming from the cast’s performances is palpable. More Black voices deserve to be heard in modern filmmaking, and DuVernay’s influence is key for that.
Related:The Best Movies by Black Directors and Filmmakers
5. Penny Marshall
Penny Marshallseemed to have followed Ron Howard’s path to success: she started as a lead in a beloved classic sitcom, then tried her hand at directing with a mildly successful action comedy.
Over the years, she developed her craft and grew to be capable of directing any film genre, from psychological drama (Awakenings) to comedy drama (The Preacher’s Wife) to coming-of-age fantasy (Big).
Penny Marshall stands out for her ability to paint a thousand words that are subtle yet eye-opening, which has played a big role in conveying her feminist messages without overt proselytizing.
This is most apparent inA League of Their Own(1992), a fictional account about a real-life all-female baseball team. It’s full of charm and drama with its underdog story, with a cast that brings the story to life.
Related:The Best Baseball Movies of All Time (From Comedy to Drama)
4. Jane Campion
By the time she won the Academy Award for Best Director in 2022,Jane Campionhad already built up an illustrious directorial career that spanned three decades.
Through her films, Campion has always been able to convey stories about ordinary, strong-willed women overcoming adversity and oppression through sheer conviction and willpower.
From heroic figures to simple citizens, the women in Jane Campion’s movies have always been heroines. Not sure where to start with Jane Campion? Turn toThe Piano.
The Piano(1993) centers on a mute Scottish woman named Ada (played by Holly Hunter) who travels to a far-flung town in New Zealand with her daughter Flora (played by Anna Paquin) for an arranged marriage to a frontiersman (played by Sam Neill).
As tough as it is to witness their desperation, Ada and Flora live out a tale that’s endearing and worth immersing yourself in.
Related:The Best Movies About Poets and Poetry
3. Sofia Coppola
Sofia Coppolais the only daughter of renowned director Francis Ford Coppola. She debuted as the christened infant child to Michael Corleone inThe Godfather, but upon reaching adulthood, she learned that her true passion is filmmaking.
Coppola’s directorial approach captures the flashy pop star style of her time, yet she does so without ever detracting from her stories. We’ve seen this in films likeMarie AntoinetteandThe Bling Ring.
But she’s also capable of taking a more grounded approach, which she did in more straightforward projects likeThe Virgin Suicides,The Beguiled, andLost in Translation. That last one remains her crowning masterpiece.
Lost in Translation(2003) is a soft romance drama film that takes place in a Tokyo hotel, starring Bill Murray as an aimless actor and Scarlett Johansson as a lonely expat. It’s the epitome of hipster cinema—a rewarding film about finding love, culture, and redemption.
2. Agnès Varda
The nameAgnès Vardamay not be a familiar one, but she’s a filmmaker whose contributions to cinema are fundamental and crucial.
Her directorial debut in the dramaLa Pointe Courtewas considered by critics asthefilm that paved the way for the French New Wave.
She followed that up withCléo From 5 to 7andVagabond, two projects that heavily feature feminist themes.
On top of her decades-spanning career as a filmmaker, Varda also dabbled in photography and art—and all of that crossed paths in her utterly inspiring documentaryFaces Places(2017).
InFaces Places, Agnès Varda and artist JR travel around France, town to town, making portraits of people they meet along the way. It’s a cross-generational masterpiece from two artists who find common ground by seeking surrealism over the realism of life.
1. Kathryn Bigelow
Given her insanely varied filmography,Kathryn Bigelowis clearly capable of directing any genre of film.
Whether it’s a surfing movie starring Keanu Reeves and Patrick Swayze (Point Break) or a sci-fi thriller starring Ralph Fiennes (Strange Days), Bigelow has more than proven her prowess as a cinematic visionary.
Her prestige exploded when she directed her greatest film yet,The Hurt Locker(2008). Starring Jeremy Renner and Anthony Mackie, this Oscar-winning film centers on a bomb-defusing squad that deals with the psychological toll of war while on duty and back at home.
The Hurt Lockeris one of the most thrilling suspense films of our age, cranking up the tension through perfectly crafted slow-burn sequences.
For it, Kathryn Bigelow was the first female director to win the Academy Award for Best Director, solidifying her status as a force to behold.
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